Insane Bass Ballistics delivers the demonic hour of WHOiSEE. The sheer heaviness of the sound itself does more than raise the roof; he shatters it. Everything in the atmosphere has colossal physicality. A geometric take on dubstep with every drop, the song constantly shifts angles. Much of the work comes to fruition with its multi-layered hybrid leanings. One of those titles that celebrate the
escapism that good EDM and dubstep should bring to audiences, it’s quite easy to get lost in the countless models parading.
Despite all the chaos of the song, there is something tightly controlled about the tempo itself. The song knows when to go strong and when to step back. Intrinsically ridiculously catchy, it’s dubstep with all the gleeful distortion the genre deserves. Yet he manages to take the model and modify it in his own way. Although it may seem a little freewheeling, it has structure. The evolution of the huge groove is happening, and it does it tremendous justice. This kind of thing was made for music festivals, because it has this sense of community, a new take on the Peace Love Unity Respect mantra, in a way that was totally original.
WHOiSEE incorporates a tongue-in-cheek sense of humor alongside the enormity of every beat on the explosive nature of “Demon Hour.”
